
A Teacher
Tukaram
Varkari bhakti and the abhanga as devotional realisation
The transmission
Tukaram (traditionally c. 1608–1649/1650 CE) was a Marathi poet-saint of the Varkari tradition, among the most beloved figures of the bhakti movement in Maharashtra. He was born in Dehu, a village near Pune, into a family of modest means, and lived as a householder who suffered famine, poverty, and the early loss of family before turning wholly to devotion.
His birth year is uncertain — several dates are proposed by tradition and scholarship — while his death around 1649–1650 is more settled; the Atlas records the traditional span and marks the variance. Legend holds that at the end he was taken bodily to the divine abode, a hagiographical account the Atlas notes as such.
Tukaram’s devotion was directed to Vithoba (Vitthal), a form of Krishna worshipped at the great pilgrimage temple of Pandharpur. He poured his realisation into abhangas — short, rhythmic Marathi devotional hymns, of which thousands are ascribed to him — composed in plain, direct language that carried deep spiritual truth to ordinary people.
Sung on the Varkari pilgrimage and across Maharashtra to this day, his verses move between humble self-examination, fierce honesty about doubt and failing, and ecstatic surrender to God. With saints such as Dnyaneshwar, Namdev, and Eknath, he is credited with carrying the Varkari devotional stream into the heart of Indian bhakti literature.
What they gave
Devotional song as practice: Tukaram’s abhangas, sung and repeated on pilgrimage, embody the truth that rhythmic repetition installs new inner patterns and steadies the devotee’s mind.
- Feeling, doubt, and surrender: His unsparing honesty about despair and longing makes raw emotion the very material of the path — feeling as the force that drives the turn toward God.
- The path open to the householder: By living and teaching as an ordinary working man, he showed that direct devotion and realisation need no special caste, wealth, or renunciation.
- Plain speech as scripture: His vernacular hymns made the highest devotional truth accessible, anchoring the “inner gnosis available to all” stream within everyday life.
The line they stand in
Influenced by: the Varkari sampradaya and its devotion to Vithoba at Pandharpur; the earlier Marathi saints Dnyaneshwar, Namdev, and Eknath; and the wider current of Vaishnava bhakti.
- Influenced: the living Varkari pilgrimage tradition; the enduring body of Marathi devotional song; later saints and the devotional social fabric of Maharashtra; and the pan-Indian canon of bhakti poetry.
Revelations they taught
Their Practices 3
Essential Works
- Abhanga Gatha (devotional poems)c.1640