A Teacher
Hadewijch
Minne — the fierce, mutual Love between the soul and God
The transmission
Hadewijch was a 13th-century Beguine of the Low Countries (probably the Duchy of Brabant, near Antwerp), a mystic and poet who wrote in vernacular Middle Dutch rather than clerical Latin. Almost nothing about her life is documented: what is known is drawn only from her own writings, which show her as the spiritual guide of a group of young Beguines — women living a life of devotion in lay communities, freely and outside the cloister.
Her letters hint at opposition and even a period of wandering, but no birth or death date, family, or house can be securely fixed. Nineteenth-century attempts to make her a nun have been abandoned by scholars. Her surviving work falls into three great veins — a Book of Visions, some thirty prose Letters of spiritual counsel, and her Poems (forty-five Poems in Stanzas and sixteen Poems in Couplets).
Across all of them stands one word she leaves untranslated: minne, Love. Hadewijch takes the forms and fever of courtly love poetry and turns them wholly toward God, so that minne is at once the soul’s longing, the beloved, and God himself.
She insists on Love’s reciprocity and on its costliness — the noble suffering of Love’s absence is, for her, the surest sign of Love’s presence. Among the Atlas mystics she is a rare, fully vernacular female voice, and one of the earliest.
What they gave
Minne as mutual Love: framed the spiritual life as the fierce, all-consuming reciprocity of Love (minne) between the soul and God — the love with which we love God being the very love with which God first loved us.
- Visionary union: her Book of Visions records direct experiences of union with Christ, given in vivid image and dialogue.
- The noble suffering of Love: taught that the pain of Love’s absence and unfulfillment is not failure but Love’s own work, to be borne for Love’s sake alone.
- Vernacular mystical poetry: turned the conventions of courtly love-lyric into Middle Dutch religious poetry, creating a new genre of Love-mysticism.
In their words
Love is that burning fire which devours everything and shall never, never cease in all the endless ages to come.
Do good under all circumstances, but with no care for any profit… but all you do or omit should be for the honor of Love.
Even if you do the best you can in all things, your human nature must often fall short; so entrust yourself to God’s goodness.
Love has seven names… Chain, light, live coal, and fire… dew, living spring, and hell.
The line they stand in
Hadewijch belongs to the Beguine movement and to the current of bridal and love mysticism that flows from Bernard of Clairvaux’s readings of the Song of Songs — she names Bernard among her List of the Perfect.
Writing in the vernacular for a lay women’s community, she became one of the most important direct influences on Jan van Ruusbroec and, through him, on the whole Rhineland-Flemish mystical tradition.
Essential Works
- Visions1245
- Letters1250
- Poems in Stanzas1250
- Poems in Couplets1250