The Practices

Breath & Energy  ·  “Breath Is the Bridge”

Liberation Breathing / Rebirthing

Use a continuous, circular, connected breathing rhythm to raise the intake of breath/‘life force,’ bring suppressed thoughts, emotions and early memories to the surface, and ‘breathe them out’ — releasing them so they no longer run the body and life.

Advanced ~1–1.5 hr per session; first ~10 sessions with a trained facilitator before solo practice Rebirthing / Conscious Connected Breathing (New Age Breathwork)
Ray’s connected breath in 5 lines: Lie down, relax. Breathe in a continuous circle — inhale joined to exhale, no pauses — active inhale, dropped (relaxed) exhale, full and steady. Keep it going (~45–90 min); whatever rises — feeling, memory, tingling, tetany — keep breathing and let it move out, relaxing into the sensations rather than fighting them. Rest and integrate at the end. Learn it with a trained facilitator first (~10 sessions); never do intense work alone, and respect the contraindications.

Sondra Ray is, with Leonard Orr, the figure most responsible for spreading Rebirthing — a breathwork practice built on one deceptively simple instruction: breathe in a continuous, connected circle, with no pause between the inhale and the exhale, and keep going.

Ray later refined and rebranded her form as Liberation Breathing®, adding the “Divine Mother,” forgiveness, and affirmation layers. The mechanics are the heart of it: by breathing fully and continuously for an extended stretch (often an hour or more), suppressed thoughts, feelings, and what she calls early/birth memories rise to the surface of the mind, where — in her framing — they can be “breathed out,” forgiven, and released. The name “rebirthing” comes from the early observation that the breathing frequently surfaces birth-related material; Ray’s whole system treats birth trauma and the breath that began at birth as the master pattern to clear.

This file documents the breath practice specifically — distinct from her written-affirmation methods (→ Cross-links). It is the engine the rest of her work runs on.

Ray teaches the connected breath as a guided session, classically lying down. The portable description of the rhythm:

  1. Lie down comfortably, on your back, clothed, somewhere you won’t be disturbed — bed or floor. For your first sessions, with a trained rebirther/facilitator beside you who guides the breath and takes notes (this is how Ray runs it; solo comes later).
  2. Breathe in a connected circle. Connect the inhale to the exhale with no pause, and the exhale to the next inhale with no pause — one continuous, rhythmic, circular breath. This “merging” of inhale and exhale is the single defining instruction of conscious connected breathing.
  3. Make the inhale active, the exhale relaxed. Pull the breath in with a little intention; then let the exhale simply drop — don’t push or force it out. The exhale is effortless release, not a blow.
  4. Breathe full and continuous for an extended period. Keep the circle going steadily for an extended stretch (sessions commonly run ~45–90 minutes). The sustained, fuller-than-normal breathing is what shifts the state.
  5. Relax everything and let whatever arises, arise. As feelings, memories, sensations, images, tears, or emotion come up, don’t fight or analyse them — keep breathing and let them move through and out on the exhale. In Ray’s words the limiting material comes “to the surface of the mind so [it] can be ‘breathed out,’ forgiven and released.”
  6. Expect and ride the physical sensations. Tingling, cold, heat, and especially tetany (tightening/cramping of hands, feet, or face) commonly appear; in this tradition they are treated as “energy moving” and soften when you keep breathing and relax into them rather than tense up. (Mechanistically they are hyperventilation effects — see §5 and §7.)
  7. Integrate at the end. Slow the breath, rest, and let the system settle (“integration”). Ray’s facilitators then write personalized affirmations based on what surfaced, for you to work on afterward with her written methods.
  8. Learn it over ~10 guided sessions, then practise solo (gently). Ray’s tradition has you do roughly ten sessions with a facilitator to learn safely before doing it on your own — and solo practice is intentionally gentler than a full guided session. (Sourcing note: the connected/circular breath with no pause, the active-inhale/passive-exhale instruction, lying down, ~10 facilitated sessions, “breathe out and release,” tetany-as-integration, and facilitator-written affirmations are documented rebirthing / Liberation Breathing teachings from Ray’s books and trainings. Short phrases attributed; faithful paraphrase. The “Divine Mother / prana / life-force” framing is Ray’s metaphysics, flagged as such.)

Rebirthing was originated by Leonard Orr in the 1970s; Sondra Ray became its foremost teacher and author (Rebirthing in the New Age with Orr; Celebration of Breath), then developed Liberation Breathing with Markus Ray, adding the Divine Mother, Ho’oponopono forgiveness, and A Course in Miracles.

The connected-breath technique itself is shared across the wider field — Holotropic Breathwork (Stanislav & Christina Grof), Transformational/Integrative breathwork, and others use the same physiological lever.

Affirmation lineage runs back through New Thought and Coué.

Orr’s Rebirthing — the parent technique; same connected breath, originally explored in warm water (“wet rebirthing”) then “dry.”

  • Holotropic Breathwork (Grof) — faster, more forceful connected breathing with evocative music; same hyperventilation mechanism, explicitly framed for non-ordinary states.
  • Pranayama (yoga) — far more controlled breath regulation; rebirthing borrows the prana concept but not the careful ratios/retentions.
  • Wim Hof / Tummo-derived methods — cyclic over-breathing then retention; overlapping physiology, different aim.
  • Somatic catharsis / bioenergetics — breath and body used to discharge held emotion.

Forcing or blowing the exhale. The exhale must be let go, not pushed; forcing it turns the session into a struggle and worsens cramping.

  • Tensing against the tetany. Fighting the hand/face spasm makes it worse; the instruction is to keep the breath connected and relax into the sensation, which lets it pass.
  • Going too hard, too fast, alone, too soon. The most dangerous error. Intense connected breathing can trigger fainting, panic, or flooding. Learn with a facilitator; keep solo practice gentle.
  • Analysing instead of breathing. Stopping to interpret each feeling breaks the process; keep the circle going and let material move through.
  • Skipping integration. Sitting up and rushing off after a deep session leaves you spacey or destabilised. Rest and settle.
  • Treating surfaced “memories” as literal fact. Hold them as material to feel and release, not as verified history.

The originating teacher

Sondra Ray
contemporary

Ideas it embodies