The Practices

Imagination  ·  “Feel It Real”

Gawain's Four Steps of Creative Visualization

To deliberately use mental imagery and positive feeling to imagine a desired situation as already real, so that the inner image organises attention, motivation, and emotional state toward bringing it about.

Beginner ~10-15 min for a focused session; brief recalls throughout the day New Age / Human-Potential Movement; New Thought Lineage
Gawain’s four steps: (1) Set a goal you can believe in.

(2) Relax, then create a clear mental image of it as if it already exists — a picture or a felt sense.

(3) Focus on it often, in quiet sessions and casually through the day.

(4) Give it positive energy — affirm and feel that it’s real. Hold it lightly, then let go. Then take the next real action.

Shakti Gawain’s Creative Visualization (1978) popularised, for a mass Western audience, a simple four-step process for using the imagination intentionally.

The core claim: the imagination is the ability to create an idea or mental picture, and by holding that picture with positive energy you focus it into reality. Where Neville frames imagining as assuming a state and Coué frames it as suggestion, Gawain frames it as deliberate creative work with a mental image plus feeling, presented gently and accessibly.

The full process is four steps: set a goal, create a clear mental picture, focus on it often, and give it positive energy.

Gawain lays out four basic steps (Part One of Creative Visualization):

  1. Set your goal. Decide on something you would like to have, work toward, realise, or create. Gawain advises beginners to start with goals that are easy to believe in and not too distant — something you can genuinely imagine happening — and to build up to larger goals as your trust in the process grows.
  2. Create a clear idea or picture. Form a mental image of the object or situation exactly as you want it — in the present, as if it already exists. Picture yourself in the situation as you desire it, with as much detail as you can. Gawain is explicit that this need not be a sharp visual image: some people “see” little and instead get a feeling, a sense, or an idea of the thing. All of these count.
  3. Focus on it often. Bring the idea or picture to mind frequently — both in quiet, relaxed meditation periods set aside for it, and casually throughout the day whenever it occurs to you. The point is to weave the image gently into your life so it becomes “an integrated part of your life,” rather than to strain at it.
  4. Give it positive energy. As you hold the image, think about it in a positive, encouraging way; make strong, affirmative statements to yourself that it exists, that it is coming, that it is real. See and feel it working out. Gawain calls this giving the goal “positive energy” — in plainer terms, holding it with belief and good feeling rather than doubt. Relax first. Gawain recommends doing the focused sessions in a relaxed, meditative state — sit or lie comfortably, close the eyes, breathe slowly and deeply, relax the body progressively — because imagery impresses most easily on a calm, receptive mind. Hold it lightly, then release. Crucially, Gawain teaches non-attachment: visualise with intention but without anxious clinging to the outcome. Do the imagining, feel it as real, then let go and stay open to the result arriving in its own way (or to something better). Forcing or desperate wanting is counter-productive. (Sourcing note: the four-step structure, the “as if it already exists” instruction, the “feeling counts as much as a picture” allowance, and the relaxation/non-attachment guidance are all Gawain’s, from Creative Visualization. Wording here is faithful paraphrase with short quoted phrases only.)

Shakti Gawain (1948-2018) wrote Creative Visualization in 1978; it became one of the best-selling personal-growth books of the era (millions of copies, many languages).

Her ideas draw directly on the New Thought stream (Troward, Holmes), on Coué’s suggestion work, and overlap strongly with Neville Goddard’s imaginal-state teaching, though her tone is softer and more therapeutic.

She later deepened the framework in Living in the Light (1986), shifting emphasis from “getting what you want” to following inner guidance. Her four-step process is the populariser’s distillation that fed countless later “manifestation” and law-of-attraction works.

SATS / “assume the feeling” (Neville) — imagine the end as already real, in feeling; structurally the same as steps 2-4.

  • Mental rehearsal (sports psychology) — vivid first-person imagery of a desired performance, repeated; the empirically studied cousin.
  • Coué’s autosuggestion — Gawain’s “positive energy / affirmative statements” is suggestion by another name.
  • WOOP / mental contrasting (Oettingen) — the research-backed corrective: pair the wish-image with obstacles and a plan, not pure fantasy.
  • Guided imagery (clinical) — relaxation + directed imagery for pain, anxiety, healing; shares the “relax first” step.

Fantasising instead of rehearsing. Wallowing in the pleasure of the imagined outcome with no action is the Oettingen trap. Visualise, then do the next real step. Add mental contrasting (picture the obstacle too).

  • Straining for a vivid picture. Gawain explicitly says a felt sense or idea counts. Don’t abandon the practice because you “can’t see” clearly.
  • Anxious attachment. Clinging desperately to the outcome contradicts Gawain’s non-attachment instruction and feeds doubt. Hold it, then release.
  • Future tense. Picturing it as “coming someday” keeps it distant. Gawain says imagine it as already existing now.
  • Starting too big. Beginners who pick an unbelievable goal generate disbelief. Start with believable goals and scale up.
  • Negative imagery. Idly rehearsing what you fear is the same machinery aimed backward. Notice and redirect.

The originating teacher

Shakti Gawain
1948-2018

Ideas it embodies