The Practices

Stillness  ·  “Stillness Reveals”

Resting in the Natural Mind

Let the mind settle without fixing on or suppressing anything, so its naturally open, aware quality is recognised directly rather than constructed.

Intermediate Short, frequent sits of 10–30 min; ideally with periodic guidance Tibetan Buddhism (Kagyu Mahamudra)
Natural Mind: Sit at ease, eyes soft. Don’t chase what arises; don’t suppress it; don’t grade it. The moment you notice you’ve drifted, rest back — gently, without comment. Look at the resting itself: an open, awake space already here. Let each thought dissolve in its own looking. Sustain non-distraction, not concentration.

Where tummo works with the body’s winds and heat, Milarepa’s Mahamudra works with nothing at all — it is the practice of simply letting the mind rest as it is and recognising the open, aware quality that was never absent.

Mahamudra (“great seal”) is the Kagyu lineage’s pointing-out approach to the nature of mind: instead of building a state through effort, the practitioner stops manipulating experience and lets awareness settle until its own naturally clear, spacious character becomes obvious.

Milarepa expressed this not in technical manuals but in spontaneous songs (mgur) — pointing again and again to a mind that is open like the sky, in which thoughts arise and dissolve like clouds without staining it.

As one description of his instruction puts it: “When meditating on Mahamudra, one does not fixate awareness on any particular thing nor try to fix anything. One simply sustains ‘nondistraction’ and allows whatever arises to be as it is.” This is distinct from the existing tummo practice: no breath retention, no visualisation, no generated energy — only relaxed, undistracted recognition.

A faithful, publicly-taught outline (the genuine pointing-out is transmitted with a teacher):

  1. Settle the body, soften the effort. Sit upright and at ease. Let the eyes rest open and unfocused. Do not tighten into “trying to meditate.”
  2. Neither chase nor suppress. Whatever arises — thoughts, feelings, sensations, sounds — let it come and let it go. Do not follow it into a story; do not push it away. Milarepa’s instruction: “relax and let appearances be as they are without the interference of our conceptual labeling.”
  3. Sustain non-distraction, not concentration. The work is not to clamp the mind onto one object (that is calm-abiding, a support). Here you simply notice the instant you have been carried off, and rest back — gently, without comment.
  4. Recognise the resting itself. When the mind settles, notice the quality of the settling: an awake, open, knowing space that is already present and needs no construction. This recognition — not any special experience — is the point.
  5. Let thoughts self-liberate. A thought, looked at directly and without grasping, loses its grip and dissolves on its own. You do not have to do anything to it.
  6. End without grading it. Don’t judge a session “good” (calm) or “bad” (busy). Both are equally workable; the recognition is available in either. (Sourcing note: a generalised outline drawn from Milarepa’s songs and standard Kagyu Mahamudra teaching; the decisive “pointing-out” instruction is given orally by a qualified teacher.)

Mahamudra reached Milarepa through the Kagyu transmission: Tilopa → Naropa → Marpa → Milarepa, alongside the Six Yogas. Milarepa made it the contemplative heart of his cave practice and voiced it in the songs of realization later gathered by Tsangnyön Heruka in The Hundred Thousand Songs of Milarepa.

From Milarepa it passed to Gampopa, who systematised the “essence Mahamudra” path. → author node (also).

Letting awareness rest open and undistracted, letting whatever arises pass without engagement recurs across the contemplative world: - Tilopa’s Six Nails (Six Words of Advice) — the terse Mahamudra root: don’t recall, don’t imagine, don’t think, don’t examine, don’t control, rest.

  • Gampopa’s calm-abiding resting — the settling/support side that stabilises this recognition.
  • Dzogchen rigpa — the closely allied “natural great perfection” of Padmasambhava’s lineage.
  • Open-monitoring / choiceless awareness (secular mindfulness) — non-reactive observing of whatever arises.
  • Zen shikantaza — “just sitting” without object or goal.

Turning it into concentration. Straining to hold one point or to force blankness is the opposite of resting; sustain non-distraction, not a clamp.

  • Suppressing thoughts. Trying to have “no thoughts” creates more. Let them arise and pass; that is the practice.
  • Hunting for a special experience. Bliss, clarity, or stillness are weather, not the goal. Grasping at them re-introduces fixation.
  • Skipping a stable base. Without some calm-abiding, the mind is too scattered to recognise its own openness; build that support first.
  • Grading sessions. “Busy” sits are not failures; recognition is equally available in turbulence.