The Practices

Imagination  ·  “Feel It Real”

Powering Up

A stepwise solo method: choose one specific intention, get into a focused peak state, state it with all five senses and emotion, mentally rehearse it as done, then let it go.

Intermediate ~15-20 min (5+ min to power up, then state, rehearse, release) Intention / Consciousness Research

Pick one specific intention. Spend ~5 minutes relaxing into a calm, focused peak state. Hold the outcome with all five senses and real feeling. Mentally rehearse it as already done. State it clearly — then let it go. The reliable payoff is your focus, motivation and rehearsal; it is not a remote control on the world, and never a substitute for care or action.

In The Intention Experiment (2007), Lynne McTaggart distils her reading of the intention literature into a practical personal routine she calls “Powering Up” — the way to get yourself into an effective state before sending an intention.

She summarises the key elements as: powering up, reaching a state of peak intensity, developing mindfulness, merging with the object, being compassionate, and stating the intention specifically. This entry presents the solo, this-worldly version of that routine: a structured sequence of relaxation, vivid multisensory rehearsal, feeling, and release.

The companion heart-and-merging step is treated separately (see Cross-links); here the spine is choose → focus → state with the senses → rehearse → let go.

Step 1 — Choose one specific intention.
Decide on a single, clearly defined aim. McTaggart stresses specificity: vague intentions scatter; name exactly what you want. Step 2 — Power up into a peak, focused state. Take several minutes (in her online experiments, about five) to relax deeply and become mindful — a quiet, “alpha,” meditative state of “peak intensity” in which your ordinary chatter quiets and attention narrows to the intention. Step 3 — State the intention with all five senses. Hold the desired outcome in mind using every sense — see it, hear it, feel it, even smell and taste it — so the picture is vivid and immersive rather than a flat thought. Step 4 — Charge it with emotion. Engage feeling — desire, conviction, and (in her framing) compassion and gratitude — so the intention is felt, not merely pictured. McTaggart treats emotional intensity as part of what makes an intention “powered up.” Step 5 — Mentally rehearse it as already accomplished. Run the outcome through like a film in which it has already happened, drawing on the evidence that mental rehearsal can train the mind much as physical practice trains the body. Step 6 — State it clearly, then let it go. Frame the intention plainly and specifically — and then release it. McTaggart explicitly pairs stating the intention with letting go of the outcome rather than gripping it.

The routine is McTaggart’s synthesis in The Intention Experiment (2007), drawing on meditation research, sports-psychology mental-rehearsal studies, and the “Zero Point Field” interconnection thesis of her earlier The Field (2001).

Its mechanics overlap heavily with mainstream visualisation and mental-rehearsal practice; its distinctive wrapper is the claim that a properly “powered up” intention can act on external targets — a claim her own (contested, mixed) experiments were built to test and did not settle.

Skipping the power-up. Stating an intention while distracted skips the part that actually does the work.

  • Thinking it instead of sensing it. A flat mental sentence is far weaker than full five-senses, emotionally charged imagery.
  • Gripping the outcome. Forgetting Step 6 turns it into anxious wanting; the release is part of the method.
  • Expecting it to move the world directly. Use it to sharpen your focus, motivation and action, not as a remote control on events.
  • Refinement: pair it with concrete follow-through — intention plus action — rather than treating the session as sufficient on its own.

The originating teacher

Lynne McTaggart
1951-present

Ideas it embodies