The Practices

Stillness  ·  “Stillness Reveals”

Grokking

To deeply understand, empathize with, or ‘know from the inside’ a chosen object, person, animal, plant, place, skill, or quality by focusing on it until your attention merges with it and you imaginatively become it.

Grokking in 6 moves: Settle and relax (eyes closed). Pick one grokkee. Focus on it completely with your senses/imagination. Let your awareness become it — feel its existence from inside — while keeping ~1% of yourself as observer. Notice what arises. Then withdraw, re-become yourself, and ground with a pikopiko breath. (Treat impressions as insight to verify, not fact.)

Grokking is Serge Kahili King’s term (borrowed from Heinlein’s coined word for “to understand so thoroughly you become one with”) for a Huna contemplative practice of merging your awareness with another being or thing in order to know it from the inside. You focus your attention on a chosen “grokkee” — a tree, an animal, a person, fire, the weather, a skill, a quality, even your “perfect self” — until your sense of separateness softens and you imaginatively become it, experiencing its nature directly.

King frames it within Huna’s principle that everything has an aka (energetic/connective) pattern you can link to, and presents it both as a tool for understanding and empathy and, in his tradition, for healing and influence. Practically, it is a disciplined act of deep, embodied perspective-taking.

King’s setup and progression (from Urban Shaman and “The Art of the Grok”):

  1. Prepare a quiet space. Sit somewhere comfortable and private, as free from distraction as possible — King suggests cross-legged, spine comfortably erect, eyes closed. Relax the body and calm the mind until you feel ready. (A few pikopiko breaths help.)
  2. Choose your grokkee. Pick one thing to grok: an object you can see/touch, a plant or animal, a person, an element (fire, water, wind), a place, a skill, a quality you want (e.g. confidence), or your ideal self. Start with something simple and concrete.
  3. Focus completely on it. Put your whole attention on the grokkee. Observe it with the senses (or in vivid imagination if it isn’t present) — its form, texture, movement, “feel.” Let everything else fade. This is sustained, one-pointed attention (The Inner Creates the Outer).
  4. Identify — let your awareness merge / become it. Shift from looking at it to being it. Imaginatively step inside: feel what it would feel to be this thing — its sensations, its way of existing, its “point of view.” King describes the grokker as becoming, “in a sense, one with” the object, able to move attention through it and sense its qualities from within. Don’t analyze from outside; let yourself become it from inside. 5. Keep ~1% as the observer (the safety rule). King is explicit: a skilled grokker always reserves a portion of his own identity — “we often say at least 1%” — so the transfer of consciousness stays under your direction and is never total. You are always able to choose to come back. This is the key safeguard.
  5. Receive / explore. While merged, notice what arises — sensations, impressions, insights, feelings, understandings about the grokkee. In healing applications King has you, from this rapport, gently “lend weight” to a healthier direction the thing could take; for learning a skill or quality, you absorb its felt sense.
  6. Return and re-individualize. When finished, deliberately withdraw your attention and re-identify fully as yourself — let the merging dissolve, feel your own body, open your eyes. A pikopiko breath helps re-ground. Note any impressions afterward. (Sourcing note: the cross-legged/eyes-closed setup, the focus→identify→become progression, the explicit “reserve at least 1% of your identity” rule, and the range of valid grokkees are King’s documented teaching in Urban Shaman and “The Art of the Grok.” Wording is faithful paraphrase; the “1%” and “become one with” phrases are quoted near-verbatim.)

Serge Kahili King teaches grokking as part of the kupua (Hawaiian shaman) skill-set he received in the Kahili family tradition, recast for modern readers in Urban Shaman (1990).

The word “grok” is from Robert Heinlein’s Stranger in a Strange Land (1961) — King, a science-fiction reader, adopted it for the Hawaiian “shape-changing”/identification practice. → (King, Serge Kahili).

The underlying idea — merging consciousness with another being to know or influence it — is ancient and cross-cultural (shamanic shape-shifting, animist identification with plants/animals).

Shamanic shape-shifting / animal identification — becoming the animal or spirit; grokking is King’s structured, secularized form.

  • Plant-spirit and “talking to plants” meditation — identifying with a plant to learn its nature; King cites this directly.
  • Empathic perspective-taking — psychology’s deliberate “imagine being the other”; grokking is a deepened version.
  • Tonglen / loving-kindness — taking the other’s experience into yourself; shares the merging-with-another move.
  • Method acting / “becoming the character” — absorbed identification to embody another’s state.
  • Neville-style “becoming” the wish fulfilled — assuming an identity from inside; grokking your “perfect self” overlaps.

Analyzing instead of becoming. Grokking is being the thing from inside, not describing it from outside. If you’re narrating, drop back into the felt identification.

  • Skipping the 1% observer. King’s safeguard — always keep a sliver of yourself as the one who can return. Don’t aim for “total” merging.
  • Starting too big. Begin with a simple object or a familiar animal before grokking people, the weather, or abstract qualities.
  • Mistaking impressions for facts. Treat what you “learn” as intuition to test, not verified information — especially when grokking other people (you may just be projecting).
  • No clear return. Always re-individualize and re-ground (pikopiko) at the end; don’t drift out of session still half-merged.
  • Forcing it. Like all absorption, it comes with relaxed focus, not strain.

The originating teacher

Serge Kahili King
b. 1934

Ideas it embodies