Stillness · “Stillness Reveals”
Ṣaṭ-cakra-bheda
To withdraw awareness inward and meditatively ascend, centre by centre, from the base of the spine to the crown — concentrating (dhāraṇā) on each cakra and its seed-sound until consciousness rests, unified, above thought.
Ṣaṭ-cakra ascent in 6 steps: Sit erect, slow the breath, withdraw the senses. Fix attention at the base (Mūlādhāra, LAṂ). Carry it slowly up the spinal line — Svādhiṣṭhāna VAṂ, Maṇipūra RAṂ, Anāhata YAṂ, Viśuddha HAṂ — dwelling and inwardly sounding each. Gather at the brow (Ājñā, OṂ); rest above at the crown (Sahasrāra) in silent absorption. Then descend the axis and re-ground. (Guru-guided in tradition — go gently if practising the attentional core alone.)
What it is
In The Serpent Power (1919) Sir John Woodroffe (writing as Arthur Avalon) translated and exhaustively annotated Pūrṇānanda’s Ṣaṭ-cakra-nirūpaṇa, the classic Sanskrit description of the six bodily centres (cakra).
The text describes ṣaṭ-cakra-bheda — the “piercing of the six centres”: a meditative ascent in which the practitioner withdraws attention from the senses, fixes it in turn on each cakra along the spinal axis (suṣumṇā), and carries awareness upward — Mūlādhāra at the base, then Svādhiṣṭhāna, Maṇipūra, Anāhata, Viśuddha, Ājñā — to merge it in the crown (Sahasrāra).
Woodroffe calls the underlying yoga a process of Laya (dissolution): “the rule is that things dissolve into that from which they originate.” What a user can actually do from his text is the concentrative core: a structured, centre-by-centre inward absorption.
The Method
Woodroffe is explicit that the full practice belongs to a guru and is not to be self-attempted lightly (see §7). What follows is the meditative sequence his text describes, given faithfully.
- Sit and steady the body and breath. Adopt a firm seated posture, spine erect. Woodroffe describes Yoga here as beginning with control of breath and senses — the aspirant must be “with senses controlled” (Jitendriya). Let the breath become slow and even; withdraw attention from external objects (pratyāhāra).
- Locate awareness at the base — Mūlādhāra. Bring concentrated attention (dhāraṇā) to the lowest centre, at the perineum/base of the spine, described as the four-petalled red lotus where Kuṇḍalinī “sleeps.” Its element is earth (Pṛthivī); its seed-sound is LAṂ. Rest attention there, mentally sounding the bīja.
- Carry attention up, centre by centre. Move awareness in fixed order up the spinal line, dwelling on each lotus, its element, and its seed-sound: - Svādhiṣṭhāna (genital region) — water, bīja VAṂ - Maṇipūra (navel) — fire, bīja RAṂ - Anāhata (heart) — air, bīja YAṂ - Viśuddha (throat) — ether/space, bīja HAṂ At each centre, hold attention steady, mentally intone the seed-sound, and let the lower centre “dissolve” into the next as you rise. Do not rush; absorption, not speed, is the work.
- Gather at Ājñā, between the brows. Bring awareness to the two-petalled Ājñā cakra at the brow — the seat of the syllable OṂ and of the inner “command.” Woodroffe stresses this centre’s importance: “Nothing of real moment, from the higher Yogī’s point of view, is achieved until the Ājñā Cakra is reached.” Rest attention here in quiet, thought-free concentration.
- Let awareness rest above — Sahasrāra. Finally let attention rise to the thousand-petalled lotus at the crown and abide there, where the ascending power is said to unite with Śiva. Hold this as silent, objectless absorption — the “union” the text points to — for as long as it is stable.
- Descend and seal. Bring awareness gently back down the same axis to the base, re-grounding, before opening the eyes. (Tantric practice consistently closes by re-grounding rather than leaving energy “up.”) (Sourcing note: cakra order, locations, elements, and the bījas LAṂ/VAṂ/RAṂ/YAṂ/HAṂ, plus the Ājñā quotation and the “Laya/dissolution” framing, are from Woodroffe’s Serpent Power. The descending close is standard Tantric prudence, noted as such.)
Source & Lineage
Pūrṇānanda Svāmī composed the Ṣaṭ-cakra-nirūpaṇa (a section of his larger Śrī-tattva-cintāmaṇi) c. 1577. Woodroffe (1865–1936) — a British Calcutta High Court judge and Sanskrit scholar — translated it with the Pādukā-pañcaka as The Serpent Power (1919), the single most influential conduit of cakra/kuṇḍalinī ideas into the modern West.
Nearly all twentieth-century “chakra” systems descend from this book. It sits beside his Garland of Letters (mantra) and Śakti and Śākta (Tantric ritual).
The Traditions' versions
Classical Kuṇḍalinī / Haṭha Yoga — the same centres pierced via āsana, prāṇāyāma, bandha, and mudrā (Woodroffe treats these as the physical scaffolding).
- Kriyā Yoga (Yogananda lineage) — spinal-axis concentration and bīja-paced ascent, a direct descendant.
- Buddhist Tantra (Tibetan) — cakra/channel (rtsa) yogas with parallel inner-fire and dissolution stages.
- Modern “chakra meditation” — simplified colour/centre visualisations, popularised largely because of this book.
- Body-scan / interoceptive meditation (secular) — the bare attentional skeleton: sustained, sequential attention to body locations along the trunk.
Common refinements
Self-teaching the full kuṇḍalinī raising. Woodroffe is emphatic that the actual method requires a guru and that few succeed; treating the book as a DIY manual is exactly what he warns against.
- Forcing or straining attention. The work is steady absorption, not effortful pushing; strain breeds tension and the agitation people misread as “energy.”
- Rushing up the centres. Speed defeats it — dwell until attention is genuinely settled before rising.
- Leaving awareness “up” at the crown. Always descend and re-ground; skipping this is linked to the disorientation in kuṇḍalinī complaints.
- Literalising the metaphysics. Holding the subtle-body model as testable anatomy invites disappointment and confusion; hold it lightly as a contemplative map.