The Practices

Embodiment  ·  “Being Precedes Having”

Sound-Exclusion Mastery

Master a disturbing noise not by fighting it but by willed absorption elsewhere — and at night, by substituting a rhythmic imagined sound.

Beginner 5-30 min sessions, escalating; usable in the moment whenever a noise disturbs New Thought / American Will-Training
Don’t fight the hateful noise — fighting it makes it louder. Instead, by strong will, absorb yourself in another sound or an agreeable thought; hold it five minutes, rest, then ten, escalating. Stay easy and indifferent, not gritted. At night, run a steady rhythmic imagined sound — a big clock, a water-wheel, the sea — totally unlike the disturbance, and let it carry you to sleep.

A small, sharply practical Haddock drill for the universal misery of an inescapable noise — the neighbor’s piano, a barking dog, street hawkers, a ticking clock at midnight. His insight, stated as a rule, is counter-intuitive and central: you cannot will a sound out of the ear; you can only will yourself into something else. “Do not will directly to shut a sound out of the ear.

Will to become directly absorbed in other sounds or in other matters of thought.” And, crucially, stop fighting it: “Never fight disagreeable noises by attending to them. all thought about the hateful sound only intensifies its power over you.” This makes it distinct from his ear-acuity course (which builds keener hearing) and from the nerves regime (which dissolves bodily itch): here the target is stress-mastery over an environmental irritant by redirected absorption, with a special night-time variant — substitute a rhythmic imagined sound for the real one.

  1. Do not attack the noise (Ex. 9). “Never fight disagreeable noises by attending to them. Select some particularly hateful sound which comes to you regularly. Make this a practice for the day.” The fight itself feeds it: “So long as one slaps and rubs and pinches” — his parallel from the nerves — “so long will sensations diabolic continue.”
  2. Absorb into a rival focus, escalating (Ex. 9). “By an enormous effort of Will attend so powerfully to some other sound or many sounds as to shut out the one you wish to banish. Continue this effort five minutes.” Rest “by turning the attention away from sounds in general.” Then repeat, shutting it out ten minutes, then build “increasing the time of exclusion of sound with each exercise a few minutes.” Vary the rival focus: “attending with great energy to some agreeable thought” — “Think of a particularly pleasant tune; or thought; or experience.”
  3. Insist on indifference, gently. “Insist that you do not care, anyway. Do not work: take the matter easily.” The mood is relaxed indifference, not gritted teeth.
  4. The night-time rhythm substitution (Ex. 10). “At night, when you are disturbed by hideous noises, stop thinking about them. Call up, mentally, a sound which is totally different from the one that disturbs you. Cause it to run in the mind, taking care that it has a certain regularity and rhythm. Imagine the loud ticking of a large clock, or the droning of an old-fashioned water-wheel, or the steady booming of the sea.”
  5. Remember the law. “To rage at a barking dog signifies one of two consequences.more nervousness on the part of the man who has no Will.The Will that masters them is a growing Will.” Hold the watchword: “I RESOLVE TO WILL! ATTENTION!!”

Power of Will (1907), Chapter X “Exercises for the Ear,” Exercises 9-10, with its principle echoed in the nerves chapter’s itch-mastery (Ch. XIV). Haddock illustrates willed absorption with Thomas Aquinas, oblivious at the king’s table, and the telegraph operator who slept through all knocking but woke to his own station’s signal.

Frank Channing Haddock (1853-1915). → (haddock frank channing).

Trying to push the sound away. The whole method is the opposite — pull into something else; pushing strengthens the noise.

  • Straining / “working” at it. “Do not work: take the matter easily.” Tension defeats it.
  • A drifting night-substitute. The imagined sound must be regular and rhythmic (clock, water-wheel, sea) to hold the mind.
  • Using it on harmful noise. For genuinely damaging or persistent noise, Haddock says first “procure the cessation of these sounds, if possible” — protect your hearing; this is for the unavoidable nuisance.

The originating teacher

Frank Channing Haddock
1853-1915

Ideas it embodies