The Practices

Imagination  ·  “Feel It Real”

Pathworking

To enter and hold a vivid symbolic inner image or journey with disciplined concentration — using the trained imagination to explore the psyche, contact archetypal symbols, and produce shifts in consciousness (‘change in consciousness in accordance with will’).

Pathworking in 5 lines: Relax, then fix a specific symbolic doorway (a Tarot image, a temple gate, a Path on the Tree). Step through and build the inner scene with all your senses, holding it with disciplined concentration. Let the journey unfold — observe and interact without forcing. Then retrace your steps, close the door, and ground fully. It is trained imagination: vivid yet lucid, directed by will. (Read the contents as your own psyche speaking in symbol.)

Pathworking is Dion Fortune’s disciplined form of creative visualization: you build a vivid symbolic image or guided inner journey and hold it with trained, sustained concentration, allowing it to unfold while you remain a steady, observing participant.

In the Qabalistic system of The Mystical Qabalah (1935), the classic pathworking travels a Path between two Sephiroth on the Tree of Life, entering through a symbolic doorway (often a Tarot image) and moving through a landscape of meaningful symbols.

More broadly it is Fortune’s “ magical use of imagination“ — and she defined magic itself as “the art and science of causing changes in consciousness in accordance with will.” Pathworking is the engine of that change: not idle daydreaming but governed imagination, directed and held.

Fortune’s trained-imagination work follows a recognizable arc:

  1. Settle and relax. Sit upright, quiet the body, slow the breath. A short relaxation precedes the imaginative work so the body doesn’t intrude.
  2. Choose and fix the starting symbol. Begin from a definite symbolic image — a Tarot trump, a temple door, a coloured Sephira, a gateway. The image must be specific and stable, not vague. Fortune stressed that the symbol is chosen deliberately (on the Tree, you select the Path and its correspondences in advance) so the imagination has rails to run on.
  3. Enter and build the scene. Step through the doorway in imagination and let the inner landscape build around you — colours, textures, figures, sound. Engage all the inner senses, not just sight. Hold the scene with concentration: keep returning the wandering mind to the image, sustaining vividness over minutes, not seconds.
  4. Move along the Path / let it unfold. Proceed through the symbolic journey. In group work Fortune favoured a guided narration but — crucially — advised the leader to leave silences so participants engage in their own silent inner experience rather than merely following a script. Encounters, symbols, and figures are allowed to present themselves; you observe and interact without forcing.
  5. Hold the disciplined stance. Throughout, you remain the trained operator: vivid yet lucid, immersed yet able to direct. This is the discipline that separates pathworking from drifting reverie — the imagination is held to the chosen theme with focused will.
  6. Return deliberately and ground. Retrace the journey back to the starting doorway, close it, and return fully to ordinary awareness — then ground (feel the body, the room; eat or move). Fortune’s circles recorded the experience afterward. The deliberate return is non-negotiable. (Sourcing note: the Tree-of-Life Paths, the use of Tarot/Sephirotic symbols, the disciplined “magical use of imagination,” and “change in consciousness in accordance with will” are Fortune’s, from The Mystical Qabalah and Applied Magic. Group-narration-with-silences reflects her documented teaching practice. Faithful paraphrase.)

Dion Fortune (Violet Mary Firth, 1890–1946). Founder of the Society of the Inner Light, she made The Mystical Qabalah (1935) the standard English map of the Tree and its Paths, and her essays (collected as Applied Magic) set out the trained use of imagination.

The technique sits in the Golden Dawn / Western Mystery Tradition lineage and was elaborated by her successors (notably Gareth Knight, who popularized the term “pathworking”).

It runs parallel to Jung’s active imagination — disciplined dialogue with inner symbolic figures — developed in the same era.

Active imagination (Jung) — the closest psychological cousin: sustained, lucid engagement with spontaneous inner imagery.

  • Guided imagery / visualization (clinical) — the secular, evidence-based form used for anxiety, pain, and performance.
  • SATS & imaginal scenes (Neville) — holding a single vivid imagined scene with feeling; Fortune’s cousin in the assumption family.
  • Ignatian composition of place — building a detailed sensory scene to enter a sacred narrative.
  • Tibetan deity visualization (sadhana) — highly structured, sustained symbolic imaging.
  • Shamanic journeying — guided inner travel to symbolic realms.

Vague starting image. Without a specific, stable symbol the mind drifts. Fix the doorway sharply before entering.

  • Forcing outcomes. Pathworking is observed-and-allowed, not scripted to a wish. Over-control collapses the spontaneous, revealing quality.
  • Drifting into ordinary daydream. The discipline is the point — keep returning to the chosen theme; lucid, not lost.
  • Skipping the return. Failing to retrace and ground leaves people foggy or unsettled. Always close the door and come fully back.
  • No silence in group work. Over-narrating denies participants their own experience; Fortune insisted on leaving gaps.
  • Literalizing the contents. Treat figures and messages as meaningful psychically (about you), not as literal external oracles to obey.

The originating teacher

Dion Fortune
1890-1946

Ideas it embodies