The Practices

Stillness  ·  “Stillness Reveals”

Holding a Single Image

To train the wandering mind to hold one chosen image or idea steadily, gently returning attention each time it strays, building the sustained mental control on which all later magical work depends.

Intermediate 5-10 min daily, built up gradually; recorded in the magical diary Western Mystery Tradition / Ceremonial Magic
Sit poised. Pick ONE definite, nameable image — a shape, an object, an idea. Hold it before the inner eye and watch it. Each time the mind slides off, gently bring it back — no strain. Keep it short, build slowly, write down how it went. The skill being built is simply: the power to hold the mind to one point.

Butler taught that the would-be magician must first master an ordinary but elusive skill: keeping the mind on one thing. Before any ritual, scrying, or “magical image” can be worked, the student has to be able to choose a single image or idea and hold it, watching it without letting the mind slide off into its usual drift of association.

He frames this as the bedrock discipline — attention deliberately governed (The Inner Creates the Outer), the imagination held to one definite picture (The Inner Creates the Outer), the capacity built by patient repetition (The Inner Creates the Outer).

It is concentration practised as a craft, with progress logged honestly rather than imagined.

Drawn from Butler’s stated principles in The Magician and Apprenticed to Magic:

  1. Sit poised, not slack. Use his upright “god-form” posture (hard chair, feet flat, hands on knees, natural spine) and a few rounds of slow rhythmic breathing first, so the body is relaxed but alert — “a balance point between” sleep and strain.
  2. Choose ONE definite image. A simple object, a coloured geometric shape, or a clear idea — not a vague mood. Butler stresses precision: “begin to form definite pictures in your mind,” and “give your picture a name… but be precise in your naming.”
  3. Hold it steadily and watch it. Keep the chosen image before the inner eye. The aim is the power to hold the mind to one point — most people, he notes, have only “vague, emotionally-charged images” rather than “clearly cut mental images which can be recalled at will.”
  4. When the mind wanders, return it gently. It will wander. The discipline is not to fight the stray thought but to notice it and quietly bring attention back to the chosen image — without irritation or strain. Forcing only creates tension.
  5. Keep it short, build slowly. A few honest minutes daily beats one long strained effort. Increase the span only as the holding becomes steady.
  6. Record it. Note clarity, colour, how long the image held, and where attention slipped, in the magical diary — building “an automatic habit of careful and logical thought.” (Sourcing: bracketed phrases are short verbatim quotations from Butler; the graded “choose one, hold, return gently, build, record” sequence is his stated teaching, faithfully ordered.)

The discipline is set out in The Magician: His Training and Work (1959) and in the instructional letters of Apprenticed to Magic. It descends directly from the Golden Dawn / Dion Fortune training Butler inherited (concentration as the precondition of all “Inner” work), itself drawing on yogic dharana.

Butler’s distinctive contribution is the plain, no-mysticism framing — concentration as a trainable mental habit, kept honest by a written record.

Straining. Gripping the image hard creates tension and tires you; hold lightly, return gently.

  • Picking something vague. A blurry “feeling” can’t be held. Choose a definite, nameable image.
  • Marathon sessions. Long forced sits build aversion; short daily reps build the habit.
  • Judging the wandering. The mind wandering is not failure — noticing and returning IS the exercise.
  • No record. Without the diary you can’t see real progress and the “false ego” rewrites the story.

The originating teacher

W.E. Butler
1898-1978

Ideas it embodies