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Pillars · 1855

Leaves of Grass

by Walt Whitman

American Transcendentalism / Romantic poetry

Leaves of Grass is a lifelong, continually revised book of poems whose central vision is a self at once individual and universal, divine and continuous with the whole cosmos. In its great centrepiece, the poet celebrates himself while insisting that every atom belonging to him belongs equally to the reader, dissolving the boundary between self and world.

Whitman works not by argument but by expansive, cataloguing free verse that treats the soul as divine and the body as sacred, presenting enlarged consciousness as direct, embodied experience rather than doctrine. The stance is one of radical self-acceptance and a felt, lyrical sense of non-separation among self, others, and universe.

Its place in the tradition is as a foundational poetic articulation of the cosmic, divine self later central to New Thought's notion of a deeper Self. Emerging from the orbit of American Transcendentalism, it became for subsequent writers a living example of awakened awareness, taken up notably as the central case in Bucke's study of cosmic consciousness.

In its words

I am large, I contain multitudes.

The ideas it carries

Lineage

What it drew on
Ralph Waldo EmersonQuakerismUpanishads / Vedanta
What it shaped
Richard Maurice BuckeNew Thought movementAmerican mystical poetrylater self-affirmation traditions

The author

Walt Whitman Walt WhitmanThe cosmic, divine self; identity continuous with the universe Full voice →

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