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Pillars · 1907

Creative Evolution

by Henri Bergson

Idealist & Process Philosophy

Creative Evolution develops Bergson's central category of duration — lived, flowing, qualitative time as directly experienced — sharply distinguished from the spatialised, measurable time of science. Reality is fundamentally becoming: a continuous, indivisible creative flux that the intellect, useful for action, freezes into static concepts and discrete objects.

To dramatise this, the work proposes the élan vital, a vital impetus driving life's unpredictable, creative diversification against the running-down of matter, and it privileges intuition — a sympathetic identification from within — as the faculty that grasps the living movement the analytic intellect misses.

It is an important ancestor of the conviction that reality is a living, creative flow and that direct intuitive consciousness reaches truths analysis cannot. Its vitalism and its sense of time as creative becoming shaped Whitehead and Teilhard de Chardin, while its non-materialist view of mind is cited in survival discourse. The honest framing is that the élan vital did not survive as science.

In its words

All the living hold together, and all yield to the same tremendous push. The animal takes its stand on the plant, man bestrides animality, and the whole of humanity, in space and in time, is one immense army galloping beside and before and behind each of us in an overwhelming charge able to beat down every resistance and clear the most formidable obstacles, perhaps even death.

Lineage

What it drew on
PlotinusHerbert SpencerWilliam JamesImmanuel Kant
What it shaped
Alfred North WhiteheadPierre Teilhard de Chardinprocess spiritualityvitalism

The author

Henri Bergson Henri BergsonDuration; élan vital; intuition Full voice →

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